Nau mai, haere mai, welcome to EyeContact. You are invited to respond to reviews and contribute to discussion by registering to participate.

JH

Sean Grattan at Newcall

AA
View Discussion

What is striking about Grattan is his confidence with a ‘European' sensibility. His interests are unusual for a New Zealand director. It will be interesting to see if that changes in California, how he intellectually grows.

Auckland

Looking at you with contempt
A film by Sean Grattan

29 July - 16 August 2009

Sean Grattan is a young (well he’s 28; not so old either) film-maker, trained at Elam, and about to start a course at Cal Arts - for which he has won a scholarship.

The daily screenings at Newcall (at 12, 2, & 4) of this his most recent project reveal him to be a talented director with a thorough knowledge of the history of the medium and its different genres. Whilst his previous endeavour Work And Not Work was narrative-based with an interest in an Antonioni-influenced urban landscape, Looking At You With Contempt of course alludes to Godard’s Contempt (1963), and has a lot of Akerman and Lynch thrown in. And its construction seems to have come from a process of juxtaposing different genres together and seeing what sort of narrative could emerge. In other words, the ‘plot’ wasn’t rigidly predetermined at the very beginning.

There is an odd symmetry with this film, for the title references the beginning (its Godardian jump cuts) and the end (its withering look). Between the two it blends film noir, factory documentary, ‘realism’ and an industrial metaphor for the construction of the protagonist-subject, oscillating between the narrative conventions of fiction and non-fiction and using long silences or ambient sound. Grattan knows how to pick good actors and elicit superb performances. The drift of his emerging story is never overstated, yet when a detail is established he is prepared to abruptly twist it around and startle his audience - in this case using unexpected dialogue or sound.

What is striking about Grattan is his confidence with a ‘European’ sensibility. His interests are unusual for a New Zealand director. It will be interesting to see if that changes in California, how he intellectually grows, and the big yawn-inducing question - will he return? He certainly deserves support for his studies and hopefully potential sponsors will recognise that and significantly contribute.

John Hurrell

Print | Facebook | Twitter | Email

 

Recent Posts by John Hurrell

JH
Installation of Bambury and May works at Sumer

Wall-Reflected vs Frontal, Directly-Radiating Colour

SUMER

Stephen Bambury & Anne-Marie May

 

The Still Point of the Turning World

 

26 March - 26 April 2025

JH
Virginia Leonard, Eating with Blue Blood and Village Knickers, 2025, clay, resin and lustre, 400 x 500mm plus ceramic tray.

Leonard’s Aesthetic….Hmm?

GOW LANGSFORD GALLERY

Virginia Leonard

 

The Wedding Breakfast: An Ode to Olly

 

26 March - 19 April 2025

JH
George Watson, Fields 3, detail,  hand dyed silk, fence batons, staples, 2300 x 230 mm overall

George Watson at Coastal Signs

COASTAL SIGNS

George Watson

 

The Farm

 

7 March - 12 April 2025

JH
Laith McGregor, S.O.S., 2025, clay and enamel, dimensions variable.

Performing Magic (with Anxiety)

STARKWHITE

Laith McGregor

 


Long Days, Longer Nights

 


15 March - 15 April 2025