Nau mai, haere mai, welcome to EyeContact. You are invited to respond to reviews and contribute to discussion by registering to participate.

JH

Glowing Kauri Resin Presented in Billboards

AA
View Discussion
Mary-Louise Browne billboard on Reeves Rd: Golden, 2010 inkjet billboard print Courtesy of Bartley + Company Art, Wellington. Photography: Neil Finlay Mary-Louise Browne billboard on Reeves Rd -Golden, 2010 inkjet billboard print Courtesy of Bartley + Company Art, Wellington. Photography: Neil Finlay Mary-Louise Browne billboard on Reeves Rd- Golden, 2010 inkjet billboard print Courtesy of Bartley + Company Art, Wellington. Photography: Neil Finlay

The golden, striation-covered clods are presented as if they are asteroids floating in space against a backdrop of clear blue sky. They are like spat out, gemlike, sucked-on pebbles of caramelised hokey-pokey: self contained revolving worlds intact unto themselves.

Auckland

 

Mary-Louise Browne
Golden
Billboard project

 

10 July - 22 August 2010

The three billboards Mary-Louise Browne is currently presenting on the Reeves Road wall opposite Te Tuhi are enlarged images of kauri gum, resin nuggets photographed from the collection of Howick Historic Village, in Pakuranga. The golden, striation-covered lumps are presented as if they are asteroids floating in space against a backdrop of clear blue sky. They are like gemlike, sucked-on pebbles of caramelised hokey-pokey: self contained revolving worlds intact unto themselves.

Although kauri gum is often equated with pioneer colonial culture there is something mysterious, primal and ancient about these ambiguous, honey-coloured translucent forms, and the vague dark marks trapped within them. Some of these shapes hint at Maori rock art found in caves - something entirely coincidental but worthy of comment - because of Browne’s early work. Oddly (because I don’t think it is deliberate) they have links with her performance work from the early eighties, where she traced outlines of her body and hands onto white walls - a reference to cave art. These hoardings, with their glowing, glistening, toffee-like interiors, hold your attention as you examine the dirt embedded in the hairline fissures on their outsides, and ponder about each nugget’s history - was it buried deep in the ground or floating in the ocean. What part of the northern North Island did it come from? How many thousands of years old is it?

Browne is normally known for her text works but these images take her to some place new. The sensuality of the seemingly edible resin, its indistinct murky internal layers, the rough crumbly, slightly powdery exterior: all suggest possible areas of mental contemplation not immediately linked to the concision of language - more a type of drifting reverie that is less tangible. The optically enterable gum seems akin to the sort of substances Gaston Bachelard was interested in with his psychoanalytic discussions of fire and water as poetic tropes, except it is solid, while seeming to be flickeringly alive and in motion.

An exciting new direction for this artist.

John Hurrell

Print | Facebook | Twitter | Email

 

Recent Posts by John Hurrell

JH
Installation downstairs at Michael Lett of Simon Denny's Document Relief 30 (Palantir Image Identification patent) 2021

Denny At His Best

MICHAEL LETT

Auckland

 

Simon Denny and et al.
Simon Denny et al

 

17 November - 18 December 2021

 

JH
Matt Arbuckle's 'In the Echoes'  as installed at Two Rooms. Photo: Sam Hartnett.

Matt Arbuckle at Two Rooms

TWO ROOMS

Auckland

 

Matt Arbuckle
In the Echoes


13 August—20 November 2021

JH
Brett Graham, Maungārongo ki te Whenua, Maungārongo ki te Tangata, as installed in the Govett-Brewster Art Gallery.

Virtual Tai Moana Tai Tangata

Govett Brewster Art Gallery / Len Lye Centre virtual (lockdown) presentation

Brett Graham

 

Tai Moana Tai Tangata

 

Curated by Anna-Marie White

 

JH
Imogen Taylor, Homework, 2021, watercolour on paper, 320 x 385mm (framed size)

Sweet Sapphic Eroticubism

Michael Lett Viewing Room

Auckland

 

Imogen Taylor
Watercolours

 

26 July - 7 September 2021 (Prelockdown)