Nau mai, haere mai, welcome to EyeContact. You are invited to respond to reviews and contribute to discussion by registering to participate.

JH

Yukihiro Taguchi Videos

AA
View Discussion
Installation of Yukihiro Taguchi's In Formation at Te Uru. Photo: Sam Hartnett Installation of Yukihiro Taguchi's In Formation at Te Uru. Photo: Sam Hartnett Installation of Yukihiro Taguchi's In Formation at Te Uru. Photo: Sam Hartnett Installation of Yukihiro Taguchi's In Formation at Te Uru. Photo: Sam Hartnett Yukihiro Taguchi, Inkarnation, video still Yukihiro Taguchi, Inkarnation, video still Yukihiro Taguchi, Lauf, video still Yukihiro Taguchi, Lauf, video still Yukihiro Taguchi, Moment-Coritiba, video still Yukihiro Taguchi, Moment-Coritiba, video still

A cohesive unit, the unified rhythm of the music and staccatoed changing narrative are what makes these droll videos tick. Although you can't help but imagine the labour-intensive film-making process, with multiple objects arduously shuffled around (via an army of assistants) to construct every individual frame, the hyper flickering movement of the jitterbugging constructions hold your interest.

Titirangi

 

Yukihiko Taguchi
In Formation
Curated by Ioana Gordon-Smith

 

23 July - 18 September 2016

Videos and drawings provide the substance of this exhibition by Berlin-based Japanese artist Yukihiro Taguchi, though the videos are the main attraction. The ninety odd drawings are really digital print outs. They are presented in a line on three walls and are (I think) too small, without surface sensitivity or tactile delicacy, and often appropriating other artists. Just not that rivetting. The five stop-motion vids though - despite being technically related to the execrable Wallace & Gromit of clay-animation fame - are infectiously fun.

They verge on cuteness - but only verge. Fortunately.

The versions of time lapse photography that Taguchi uses to construct his films usually involve:

1.) The exuberant movement of a single object up or down or across a space. 2.) Groups of objects moving (perhaps swivelling) as a single coherent unit. 3.) The cumulative effect of added on objects (or modules) to make an accelerating 3D structure (could be a polystyrene person, animal or boat) or horizontal line. 4.) A version of No. 3 using added-on dirt or splashed on water to make a drawing, often on a concrete path or wall. 5.) Using frottage with the moving items of thin fabric or paper so that parts of the underlying textured field is incorporated. 6.) Occasionally moving film footage is spliced into the stop-motion process.

These energetic and amusing films usually have catchy percussive soundtracks that throb with the sequencing of the (briefly) still images. They tend to be made outside in wide spaces, in a globally wide range of cities, countries and continents. Taguchi obviously gets around.

The unified rhythm of the music and staccatoed changing narrative are what makes these droll videos tick. They are a cohesive unit. Although you can’t help but imagine the labour-intensive film-making process, with multiple objects arduously shuffled around (via an army of assistants) to construct every individual frame, the hyper flickering movement of the jitterbugging constructions holds your interest.

They’re compellingly hypnotic, so drop in and bring your kids.

John Hurrell

Print | Facebook | Twitter | Email

 

Recent Posts by John Hurrell

JH
Ralph Paine, À la Leibnitz, eight framed drawings of watercolour and pencil. Each 230 x 310 mm.

Paine as Fan Boy

CHARLES NINOW

Auckland

 

Ralph Paine
Leaves From a Pillow Book

 

December 5 - December 21, 2024

JH
Installation shot of Veronica Herber's Making My Way Home exhibition at Melanie Roger.

Herber’s Torn Tape Graphite Grids

MELANIE ROGER GALLERY

Auckland

 

Veronica Herber
Making My Way Home


14 November - 7 December 2024

JH
Heather Straka, Age of Discovery The Painter, 2021, archival pigment on Photorag Ultrasmooth, 765 x 1135 mm.

Constructed Straka Photographs

TRISH CLARK GALLERY

Tāmaki Makaurau Auckland

 

Heather Straka
Isolation Hotel

 

26 November - 21 December 2024

JH
Winston Roeth, Belmont Quintet, 2024, Kremer pigments and polyurethane dispersion on five slate panels, 50,8 x 168.4 cm

The Pleasures of Chromatic Individuality

FOX JENSEN MCCRORY

Auckland

 

Winston Roeth
The Unbearable Lightness of Seeing

 

16 November - 14 December 2024