Nau mai, haere mai, welcome to EyeContact. You are invited to respond to reviews and contribute to discussion by registering to participate.

JH

Kool Cats on Video

AA
View Discussion
Ava Seymour, Mondo Gatto, at Rockies. Photo by the artist. Ava Seymour, Mondo Gatto, at Rockies. Photo by the artist. Ava Seymour, Mondo Gatto, at Rockies. Black and white photo by the artist. Ava Seymour, Mondo Gatto, at Rockies. Photo by the artist. Ava Seymour, Mondo Gatto, at Rockies. Photo by the artist. Ava Seymour, Mondo Gatto, at Rockies. Photo by the artist. Ava Seymour, Mondo Gatto, at Rockies. Photo by the artist. Ava Seymour, Mondo Gatto, at Rockies. Photo by the artist. Ava Seymour, Mondo Gatto, at Rockies. Photo by the artist. Ava Seymour, Mondo Gatto, at Rockies. Photo by the artist. Ava Seymour, Mondo Gatto, at Rockies. Photo by the artist. Ava Seymour, Mondo Gatto, at Rockies. Photo by the artist. Ava Seymour, Mondo Gatto, detail, at Rockies. Photo by the artist. Ava Seymour, Mondo Gatto, detail, at Rockies. Photo by the artist. Ava Seymour, Mondo Gatto, detail, at Rockies. Photo by the artist. Ava Seymour, Mondo Gatto, detail, at Rockies.

The two series (Safe As Milk and Smoke) have been previously shown in Wellington and Sydney, in sets where overall collective composition was important. However in this Auckland Newton window they might thematically seem unconnected, but are they? Cats can be openly ingratiating creatures, wooing you for attention (sucking up for food and stroking), but are these rock stars similar?

Auckland

 

Ava Seymour
Mondo Gatto

 

11 November - 25 November 2016

Ava Seymour is well known for her extremely varied exploration of collage (or Photoshop extrapolations), ranging from her earlier scandalous (mocking or empathetic?) state house series (Health, Happiness and Housing), and suburban rubber fetish domesticity, to subtle ‘abstractions’ taken from viscera photographed in medical textbooks.

This K’ Road show at Rockies (with 24 hour visibility) is ostensibly less satirical and much straighter than you might expect, and apparently is sincere. Though Seymour is known for images that at times have been ferocious, confrontational and downright offensive, this presentation suggests she really is a softie. Using a tower structure of seven monitors positioned close to a gallery window next to the footpath, it is a boisterous paean to feline pets (Safe As Milk) and sixties/seventies rock stars who partake in the pleasures of inhaling nicotine (Smoke). No sound, just still photographs sequentially changing, and sometimes moving to other parts of the stack. It looks particularly dramatic at night. Dramatic and conspicuous; but also sentimental.

There are five shelves holding seven monitors, with - at the top - pale blue sky alternating with Hendrix blowing smoke out of his (‘‘scuse me while I kiss the sky‘) lips. With the four shelves below, the lefthand side screens tend to feature Siamese or longhaired fluffy cats, with rock musicians on the right. The third and fifth ones down from the top have thin Burenesque vertical stripes, one orange and white, the other raspberry and white. Very pretty.

The two series have been previously shown in Wellington and Sydney, in sets where overall collective composition was important. However in this Auckland Newton window they might thematically seem unconnected, but are they? Cats can be openly ingratiating creatures, wooing you for attention (sucking up for food and stroking), but are these rock stars similar? Well actually, no. These celebrities may be ‘cool cats‘ but they are not posing, slurping up to the camera, ‘sensitively’ holding carefully positioned cigarettes in an attempt to woo fame. They are (thank God) healthily indifferent to the camera. That is why they are cool. Cool not Kool.

Yet, yet, there is another angle. You can rethink all this….

If like me you love the ubiquitous fluffy feathered and occasional wiggly scaly creatures that inhabit the air and grass of your garden, then cats are vicious killers which need to be restricted in their outdoor access, and cat lovers deserve to be viewed with deep suspicion, like say voters for Donald Trump. The depicted creators of rock and roll, on the other hand, might stupidly be ‘coolly’ killing themselves through smoking, and they might irresponsibly be glamorising that addictive lethal recreation through the transmission of these images, but in essence they are liberating priests and priestesses who exult in the exhilarating sound-driven pleasures of the moving body, tapping into extraordinary celebratory energies that can lift us all.

That doesn’t excuse them but it explains.

John Hurrell

Print | Facebook | Twitter | Email

 

This Discussion has 1 comment.

Comment

Ralph Paine, 4:02 p.m. 18 November, 2016

What? Cat lovers akin to Trump voters?

Ergo Clinton voters akin to... Who? Bird and lizard lovers?

Welcome to the Species War earthlings, that time when “explanation” f_cks with “excuse” in a whole different manner.

But yeah, Seymour-World purrrrrrrs. . . Inhale. . .

Reply to this thread

Recent Posts by John Hurrell

JH
Paul Davies, Untitled, 2024, acrylic on linen, 153 cm x 122 cm

Perplexing ‘Wildernesses’

STARKWHITE

Auckland

 

Paul Davies
Still Frame

 

24 October - 24 November 2024

 

JH
Michael Harrison, Crossroads, 2005-2024, acrylic on paper, 210 x 297 mm

Deliciously Ambiguous Harrison

IVAN ANTHONY GALLERY

Auckland

 

Michael Harrison
Ghost Selection Path


19 October - 16 November 2024

JH
Ronnie van Hout, The Second Coming, 2024, promotional image

Doomsday van Hout

IVAN ANTHONY GALLERY

Auckland


Ronnie van Hout
The Second Coming


19 October - 16 November 3024

JH
Paul Hartigan, Oil on Canvas, 2024, neon on paper. MED: 450 mm  x 720 mm x 40 mm; LGE: 560 mm x 920 mm x 40 mm

Recent Hartigan Works

TIM MELVILLE GALLERY

Auckland

 

Paul Hartigan
LIGHT

 

9 October - 2 November 2024