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Peter Evans, Coal Seams, Stockton Mine, Westport, 2009/2010, Epson 11880, K3 Ultrachrome Inkjet, on Hannemuhle 310 gsm Bright White Photo Rag Fine Art Paper, 400 x 600 mm, , image courtesy of the artist and McNamara Gallery

Ambivalent Landscapes

McNAMARA GALLERY

Wanganui

 

Peter Evans

Manipulated by the Human Hand

 

July 2 - July 23, 2010

Evans’ images deserve wider attention next to any number of articles in the press about the battleground that is the New Zealand landscape.

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Pinched End Motion E-news  Kushana Bush, Pinched End Motion, 2009. Gouache on paper. Private collection Wellington

Ready to Roll continued

CITY GALLERY WELLINGTON TE WHARE TOI

Wellington

 

Ready To Roll

Curated by Heather Galbraith

 

29 May - 12 September 2010

Mark Amery looks at some more artists showing in this City Gallery survey

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Elliot Collins' work on the large wall. All images with this review by Andrew Beck.

Wellington Survey of Up-And-Comers

CITY GALLERY WELLINGTON TE WHARE TOI

Wellington

 

Ready To Roll
Curated by Heather Galbraith

 

29 May - 12 September 2010

There’s a feast of good work in this, senior curator Heather Galbraith’s last show before she shifts to Te Papa.


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Guided by Wire, watercolour and pencil on paper, 700 x 1000, 2009

Furiously Competing Dissolving Grids

BOWEN GALLERIES

Wellington

 

Kathy Barry

Porchlight

 

10 May - 29 May 2010

Both paintings and drawings, or neither. Let’s call them collages, constructed and deconstructed.

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The Unsettled Settler

TOINEKE ART GALLERY

Wellington

Jack Trolove

Ghost Paper: Thoughts on being an unsettled settler

3 May - 23 May 2010

The ordered procession of heads leads to a nicely framed film of waves breaking on that troubled foreshore of ours.

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One Day Sculpture - The Book

Published by Kerber Verlag

2009

One Day Sculpture

Editors: David Cross and Claire Doherty

279 pp, coloured illustrations

 

I simply didn’t buy ODS’s championing of actions with only fleeting engagement with their sites.


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Ava Seymour at Peter McLeavey’s

McLEAVEY GALLERY

Wellington

Ava Seymour
Tree Songs

until Saturday 17 April 2010

The works are unusually, defiantly dark, demanding you to step up close and move across the surface to appreciate them

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On The Table. View of gallery

Two New Art Spaces in Wellington

On The Table
6 College St.
Te Aro


JJ Morgan and Co

3 Cruikshank St.
Kilbirnie

How bereft many in Wellington feel of programmes highlighting the best or freshest contemporary art.

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Shapeshifter

THE DOWSE ART MUSEUM

Lower Hutt

Shapeshifter


26 February - 21 March 2010

What is missing is more work suggestive of the directions outdoor sculpture at this scale could go


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Jeremy Diggle: Narvik’s Complaint

NEW ZEALAND FILM ARCHIVE

Wellington

Jeremy Diggle
Narvik’s Complaint

26 February until 1 April 2010

Like a cut-up hypertext collage of quips, quotes, notes, asides and journal entries across time, it makes no clear linear sense. Shuffling forwards and backwards in time, it’s reminiscent of some ‘70s-‘80s sci-fi film prediction of future communication.

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Gerda Leenards

CITY GALLERY WELLINGTON TE WHARE TOI

Gerda Leenards

Following the Blue Ribbon

27 November 2009 - 24 January 2010

Clearly also inspired by classic Chinese landscape scroll painting in fluidity and ribbon-like rhythm, Leenards’ synthesises a wide variety of influences into what is now a mature and distinctive style that revitalises landscape painting.

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Gone Troppo

MARY NEWTON GALLERY

Wellington

Lower Life Forms

Madeleine Childs and Philip Jarvis

until 28 November 2009

They surround ceramic polyps, which glazed and earthy in colour are more like the pottery we’re most familiar, yet raise the finger to tradition in being in form male and female genitalia – as commonly appears in nature.


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Wayne Youle survey at Pataka

Wayne Youle: 10 Down – A Survey Exhibition
Pataka Museum of Arts and Cultures, Porirua
Until 15 November

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Ngaahina Hohaia

CITY GALLERY WELLINGTON TE WHARE TOI

Ngaahina Hohaia

27 September 2009 - 10 January 2010

Hohaia’s achievement is that the work seamlessly brings together the high public storytelling art of articulating a shared visual iconography, as you might find in wharenui or church, and the deeply personal.