JH

Building Time Capsules

AA
View Discussion
Robyn Maree Pickens, 'Respect the Rāhui' as installed as Te Tuhi Billboards. Photo: Sam Hartnett Robyn Maree Pickens, 'Respect the Rāhui' as preparatory drawing. Mary-Louise Browne's Te Tuhi Billboard project, 'Golden,' as installed in 2010.

Pickens' project also has another dimension. She has cleverly referenced an earlier Te Tuhi billboard project by Mary-Louise Browne depicting three lumps of kauri gum. They peek through Pickens' elegant seriffed font in curving arabesque slivers.

Te Tuhi Billboards

Pakuranga

 

Robyn Maree Pickens
Respect the Rāhui


1 December 2018 - 10 March 2019

On the Reeves Rd site, opposite the gallery entrance and backing on to the Pakuranga Mall complex, Robyn Pickens’ three synchronised hoardings say it loud and clear: Te Kawerau ā Maki have asked us all to stay away from the Waitākere kauri forests, to minimalise contamination from dieback disease. Please co-operate.

Now Pickens could be accused of being too school-teacherish, too prone to finger wagging, and that some irresponsible readers (idiots who resent being told what to do) might deliberately go through the tracks out of spite—if the conservation discussion was suddenly new to them and they were prone to kneejerking, to being oppositionally inclined. However most civic minded people who love this country’s natural heritage will applaud her motivation, and the wishes of Te Kawerau ā Maki.

Pickens’ project also has another dimension. She has cleverly referenced an earlier Te Tuhi billboard project by Mary-Louise Browne depicting three lumps of kauri gum. They peek through Pickens’ elegant seriffed font in curving arabesque slivers.

The glowing golden pieces of solidified resin in the background are toffeelike windows looking back in time, preserving creatures and plant parts from earlier aeons.

Pickens (with Browne’s help) seems to be saying: what about the creatures and plants of our own era, that can get trapped in the sticky sap of living kauri trees? Wouldn’t it be wonderful for future generations to discover that this process has kept on continuing, that these portals to the past have continued to be produced—and not suddenly stopped, to suddenly disappear. Let’s join together to keep these manufacturers of time capsules fully functioning.

The trouble is, asking for ‘respect’ does not imply backing of the law. A request can be legally ignored. Transgressors need to be heftily fined, and an order made that is enforced. If you step over that fence, you will get hammered. That needs to be made clear.

John Hurrell

Print | Facebook | Twitter | Email

 

Recent Posts by John Hurrell

JH
Steve Carr, Many Steves, 2025, pigment inkjet print; diptych each 1524 x 1016mm unframed, 1550 x 1045 x 35mm framed, 1550 x 2090mm framed overall Edition of 3 plus 1 artist's proof

Chortle Chuckle Carr

GOW LANGSFORD GALLERY

Steve Carr

 

How to Disappear

 

30 July - 23 August 2025

JH
Installation view of Built at Two Rooms

Building Architecture-Alluding Art

TWO ROOMS

Gretchen Albrecht, John Reynolds, John Nixon, James Ross

 

Built

 

4 July - 9 August 2025

JH
Denis O'Connor, I for Inklings, 2024, pigment, wax on Welsh slate, 245 x 195 mm

Angling for Resonances

TWO ROOMS

Denis O’Connor

 

Lucken’s Alphabet

 

4 July - 9 August 2025

JH
Ruth Cleland, Concrete Floor 4, 2925, acrylic on board, 60 x 80 cm.

Pebbles, Oblongs & Reflections

SUMER

Ruth Cleland


Concrete


11 June -12 July 2025