So, what’s the beef with these ostensibly ‘family snaps’? The point, surely, is the context, which casts a shadow over each of these shots, a chronicle of a slice of a life at a point of crisis. Here is a man facing death each time he climbs aboard the plane, taking photos (on his days off) that on their own and of themselves provide little hint of the drama going on behind the scenes. They are pictures taken by, as it were, a dead man walking, brought to ‘life’ later by the grandson.

NCAA

Issues around Identity, Representation, Play & Craft

Group show

Exuding a joyful mood

Joseph Scott installation

More than aesthetic?